Sunday, February 10, 2008

Fuck You, New Post



No, not you, loyal reader, but the person you were standing next to at, like, 4.15 this afternoon. Today, after catching a few Chelsea gallery spots with Dirk Rowntree & Rob Fitterman, Dirk & I visited Printed Matter. Of course, I've had no difficulties spending hundreds of buxx there in the past, but my energies were almost always drawn toward the great old stock type shit they have--such as early Kathy Acker pamphlets when she was going by The Black Tarantula, or various Something Else Press sundries. It's great to visit such a store with someone like Dirk, as thorough, informed, & aware as anyone, ever. The journal Dot Dot Dot had come up in discussion earlier, & we were lucky enough to be able to dig out numbers 8, 12, & 13, which I succeeded in purchasing. Other finds include Robert Ashley's Perfect Lives, a nice large HC feel-good acquisition, since I recently saw him w/ Kenny Goldsmith @ Poetry Project but left w/ no swag--my mind was on giant otters, as they say. Perhaps the best blurb ever accompanies this one: "What about the Bible? And the Koran? It doesn't matter: We have Perfect Lives," from John Cage. Another pickup was the well-known UDP release of Aram Saroyan's Complete Minimal Poems, a book that's been out for a while & speaks for itself. Add to this rich feast I See/You Mean, a novel by Lucy R Lippard, an affordable, purple thing described thus: "I See/You Mean is an experimental novel about mirrors, maps, relationships, about the ocean, elusive success & possible happiness. Through a collage of verbal photgraphs, overhead dialogue, sexual encounters, found material & self-identification devices (astrology, the I Ching, palmistry, Tarot), it charts from past to future the changing currents between two women & two men--a writer, a model/stockbroker/maybe dictator, a photographer, & an actor." Written in 1970.

Following this comes two titles from Lawrence Weiner: NYC MANHOLE COVERS PUBLIC ART FUND IN COLLABORATION WITH CON EDISON & ROMAN STONE, a small beautiful chaplet that deserves it's own separate post, so I won't even get into it here sortof thing, followed by an entry from the Between Artists series released by A.R.T. Press, this one a convo between Weiner & Liam Gillick. The treasure of the experience is a signed copy of the large exceptional The Collections of Barbara Bloom, from ICP*/STEIDL.



This is where seduction begins. It's fucked up how cool this book is, just flipping through it for the first time. There is included a centerfold, though even better (bigger) than the Playboy variety--4 pages instead of 3, yet when it's folded in other works are (re)aligned & appreciable. This is the one to get, if you get any, from the Printed Matter store this February. At $65, it is still a steal. Reading on the PM website I see that there is an exhibition of her work currently--I actually didn't notice this, as the store was rather packed, but I'm excited enough about the prospect of specialized Bloomstuff that I'll probably go back.

So then I go to pay for all this & I see a gleaming set of drumsticks with Considering utility - JMF018 www.jarrodfowler.com impressed upon them, within the glass case at the checkout, which of course I have to buy. It's the same when I see a rare or soon-to-be-rare book by a friend that I already have a copy or two of, that I just have to get, knowing full well I'm keeping someone, perhaps uninitiated, from the potential discovery. That struck this time, & now the sticks are mine.

This was all before Rob's reading, which was among several at the Mathew Marks Gallery. Rob's first work was of a very plodding pace, one word spoken at a time with several seconds, usually two or three, in between. This set us up for his upbeat poet/rock ballad configurations, which he sung to riotous laughter & on more than one occasion, intermediate applause--you know if you get claps during, you're doing well, or at least people are having fun. The event, unfortunately swagless, was quite well-attended, pointing to the benefit of hosting an evening in such a place, tho the sound was quite shit. Afterwards, Rob & Kim bought me a steak, & asked about my life: ways into my heart. Coco was in attendance as well, representing fully. At one point, during the reading, Kim asked me very neutrally if I wore mascara.


*wicked version

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